Inside Georgian Dublin

Over the past few months I have been somewhat of an English language teaching journeyman. I have navigated my way up and down much trodden streets of old in search of language schools of varying acronymic titles. Often starting with an I or and E, and somewhere else having an E or an I inside them, their meaning is often wrapped within some other flurry of adjectives represented by consonants. But despite this conundrum what I’ve enjoyed most of all is that many of the schools are housed in old Georgian houses.

Georgian Dublin represents a golden age for the city in terms of development. More so that any other period in Dublin’s history, the Georgian period has single handedly defined much of the modern shape, character, and charm of the inner city. This period stretched from the early 18th to the early 19th century, and the prosperity witnessed by the city at the time had a lot to do with the sitting of the Irish Houses of Parliament at College Green (now the Bank of Ireland), whose parliamentarians needed townhouses. The attention of the rest of the wealthy Irish was not lost and it become the norm to own a red-bricked terraced house, hundreds of which are still standing in Dublin today. Today post cards of Georgian Dublin doors and houses can be found around town. Equally, buildings like the Four Courts, Customs House, and the Bank of Ireland are some of the most monumental.

Powerscourt House, South William Street.

These red-bricked houses were designed within the constraints of a public body set up to ensure that the city was redeveloped to a habitable standard. Much of the city was still medieval in shape, and vast tracts of farmland and marsh still lay within walking distance of the pillars of power. The Wide Streets Commission when established saw about ensuring uniformity, order, and perhaps most significantly, fire precautions.

Unfortunately, during the 19th century many of these houses were converted into tenements to house Dublin’s poor, and with this so many fell into disrepair and eventually ruin. Even in areas as picturesque and typically Georgian such as St Stephen’s green, we are only left with remnants of great houses. The story is more stark on once fashionable Gardiner Street and Dominick Street on the north side of the city where some of the poorest slums where to be located. Many houses were torn down, and many now hold offices, flats, or are empty. Now they are tall and hovering over the footpaths, so far removed from the original uses.

Fitzwilliam Street Upper

All is not lost however. These buildings are finding new uses as office space, and several are used as English language schools. For whatever reasons, perhaps their size or number of rooms, but I suppose what is also important is that they are all in city centre locations. There might be other factors at play but I don’t really think that is of any significance, what matters here is that I actually finally got to walk into some of these buildings and have a look around.

I recall first finding out about this part of Dublin while I was doing my Leaving Certificate back in 2000. I studied art, which meant I had to do history of art. There was a particular part of the course which discussed the Georgian period of Dublin. I don’t remember if we had a choice on particular aspects of Irish art, but I do know that I took an instant liking to it. Maybe because it was something that we could see any time we went into town, and it had so much history too, not only in its construction but also in its faded glory and the destitute state it had come to exist in.

I’ve always been interested in these aspects of history. It could be part of my more crude nature, or perhaps some kind of romantic notion which sees the character only in that which has experienced more than others. I’ve always found old photographs interesting, but mostly I prefer photographs or images which show us how far we have come along from when the photograph was taken.

It was probably this interest in seeing how things have and do exist now that drew me towards these buildings so much more than I felt others were being drawn. I couldn’t help walking around the streets which chop through Baggot Street, up towards Herbert Road and around Fitzwilliam Square and Pembroke Street. I have driven up and down here countless times but I had never really earned the chance to simply explore.

Baggot Street

Fitzwilliam Square

I took particular pleasure when given the chance to explore around Parnell Square and Dominick Street. I had thought that all of Dominick Street’s Georgian houses had been demolished and replaced by flats, which themselves were later demolished, the scrub remaining being left for some other fate.

This particular area is where Dublin’s oldest Georgian houses sit. The top of Dominick Street has some fine examples, one of which I will talk about more shortly. But just across the street is a short street which runs up to the King’s Inns. This is Henrietta Street. When I visited, the street was quiet with the morning and damp with the condensation of the night’s clouds. The houses were bold and broad. Some had been restored to offices, but others looked they had been boarded up for a long time. They were scarred with the ignominy of rejection, but they stood with a little bit of humble pride showing that despite many years of neglect they still owned their place in Dublin’s history.

Henrietta Street, all in faded grace, removed from all its glory.

Henrietta Street; so many stories from only one doorway.

Inside many of these buildings all over Dublin is a secret treat, their interiors. The ceilings are high, like really high. The walls are thick, so thick I don’t think you needed to insulate them, and the steps and floors all creak with age. I could be wrong in saying that I would be surprised if many still had the same floors from when they were first built. Indeed, many buildings still maintain the artistic features of their original design.

In some respects there is not much to see in these big houses. The walls as I said are tall, and the floors a bit creaky and old. Because they’re old buildings it is hard to have light fittings and plugs and stuff to make them more modern. Adding to this is that in each ceiling you can’t really drill a hole into the beautifully crafted stucco work which is typical of every house. Of yeah, I forgot to mention that, didn’t I?

At the centre of each room where perhaps a candle chandelier would have hung the most beautiful stucco work is the norm in many of these houses. Even in smaller, clearly less influential homes, having a elaborate floral motif emanating from the ceiling was common practice. Often there are fantastic animal or floral patterns addornig other parts of the ceiling, but the main focus is at the very centre. The level of detail and size depends on the owners wealth, and I suppose also on the owners taste.

Inside a house on Fitzwilliam Street Upper

Inside a house on Fitzwilliam Street Upper

While I was mesmerised by actually being inside just a few fairly standard Georgian houses, I was lucky to have to teach in an overflow classroom for a week in one of Georgian Dublin’s most prized possessions. These overflow classrooms are often temporary solutions to busy periods. This particular acronymic school based on Dominick Street was in need of some room, and the Youth Work Ireland building nearby was in the position to offer space.

I had little idea of what to expect as I stepped in, but I instantly recognised the work on the walls from my Leaving Cert history of art classes. The owner of this house originally was a man named Robert West, and he was known as one of the foremost stuccodores in Dublin at the time. This particular interior is so elaborate that it is near impossible to describe with enough words, and I for one can merely leave some photographs of the beautiful walls and ceilings.

Inside 20 Dominick Street Lower

Inside 20 Dominick Street Lower

Inside 20 Dominick Street Lower

Inside 20 Dominick Street Lower

Inside 20 Dominick Street Lower

Inside 20 Dominick Street Lower

Inside 20 Dominick Lower

In time I hope that I can again visit some of these properties, although not as a journeyman, more as an enthusiast for the magnificent tribute left to a time when Dublin was finally becoming a city of Europe, one with its own shape and its own character. I think Georgian Dublin is something which many of us take for granted, although it is not so serious that we do take it seriously, but we should offer it the respect it deserves. I think that Dublin will grow always around these magnificent monuments, but at the same time I hope that they do not allow for a stagnation of the progress which they themselves were the product of some two hundred years before.


Do you have a particular building or era from historical Dublin which you like or have an interest in?

Should we seek to restore all these buildings to their original state, or should we allow progress to change these for the better?


I took all these photos with my camera phone (HTC One M8 if you’re asking). For some reason I never had the sense to bring my Nikon in with me.


The Robert West house is 20 Lower Dominick Street, Dublin 1. You can read a little more about the building and its history and the restoration project which was carried out on it here.

If you are interested in Georgian Dublin take a look at the Irish Georgian Society’s website.

Here is a detailed post on the history of Lower Dominick Street in Dublin.

Finding Haenggung Road

The traffic on the way in was as hectic as expected for a Saturday afternoon. We eventually managed to park the car, and then we wandered out into the afternoon.

In front of the old palace that sat in the centre of the city fortress, stalls had been set up for some occasion that were mostly selling snacks and bric-a-brac, or were flaunting some flyers for some form of a healthier lifestyle. We picked our way through it, stretching our necks to see what all the fuss was over at certain stalls and helping ourselves to free samples, but all the time veering to the shadier side of aisles in between the lines of white canopied stalls.

Generally unimpressed, we left and made our way away from the large plaza in front of high wooden palace gate. On the ground close to the gate was a large copper embossed plate fitted into the paving that  showed a landscape and lettering that read “PHOTO ZONE” in red. I looked up and tried to frame this scene the tile was hoping that photographers would be inspired by.

Of course it was a very nice angle to photograph that particular corner of the place wall against the forty-five degree like rugged slope of the mountain with its look-out post silhouetting behind it, especially with the bulbous white and grey clouds and sun shining through them in the background at that particular moment. But the thought of encouraging lines of people to queue up for an ideally angled portrayal of this unique attraction without any aerials or high-rise apartments interfering got to me. I think that photography, whether amateur or professional, should be an entirely personal experience, and having a ‘photo zone’ takes away from this.

Fortunately, there were not lines of tourists and, in fact, there was nobody at all lining up as they were all presumably busy wrestling in between the stalls with each other, or following their tour guides yellow flag diligently around the palace and fortress wall. That was enough palace for me for one day.

We left the neatly arranged plaza to its business-as-usual clutter and turned down a narrow alley that ran perpendicular to the road we had driven in by. It had been some time since I had last been down here and recalled the broken tar macadam, stinking drains, and what looked like lines of hardware stores and grotty restaurants and bars.

But now the tar macadam had been replaced by neat and colourful cobble-lock paving of sandstone and black granite. The drains and gutters were clean and decorative. Bright shop fronts with displays of crafts and flowers had replaced the previous occupants. The shops façades were of old wood and plaster or bright tiles, and murals decorated the gable ends of old dreary buildings facing into empty space. Here was a new street, a street that anyone who walked down it could feel a little proud of.

Now in its new glow, the street carried with it a refreshed but lazy village atmosphere that wound its way through it. And we entered it, arm in arm, sauntering from one window to the next, taking an interest in every detail to be seen.

Music rolled out slowly from a speaker as a man explained the merits of his pecan pie he was selling as he offered tastes. We obliged and bought one for ourselves. Children shouted as they raced by on bicycles. A man and woman stood by a wall beating a rhythm with sticks as they practised a drum sequence. A mannequin sat painting on a canvas opposite a clothes shop. A large pig sat in the shade with his legs crossed and his eyes focused furiously as it thought about something.

If you looked up you could see what remained of the old street; rusting signs and old dirty tiles, sun yellowed net curtains in windows, wires and dangling satellite dishes, and all those other things you would recognise in a forgotten alleyway in an old part of town. It looked like another place. Yet none of these mattered as they sat allowing the street to change.

We stopped for a short rest in a coffee shop. Herself had jasmine flower tea and I ordered a latte. As we chatted and read, classical music played low from a single set of speakers in the corner and the two sisters who managed the business kept busily moving between tables, chatting with customers, and relaxing on an old sofa in the corner when all else was satiated.

When we left it had become darker as the evening was setting in. We cut down one of the alleys that spidered off from the central street. The streets remained clean, the building fronts remained neat, and everyone continued to move around at an assured but happy pace. We passed by old buildings restored with new stonework, new roof tiles, and fresh paint on old plaster and wood supports. Every so often we would pass a new looking tea and coffee shop sitting there in the slowly darkening evening and its lights warming the street with their orange glow. Before long we passed back onto the main street from which we drove in initially.

Everything we had just experienced lost its normalcy as we stepped out onto that street that seems to always argue with itself. The difference was behind the rows of quiet buildings and found only by following a windy alleyway, seemingly worlds apart from the stubborn old city it sits quietly changing within.